À l’occasion de la Foire Internationale d’Art Contemporain qui se tient du 20 au 23 octobre au Grand Palais, petite géographie parisienne des tendances de l’art et tour d’horizon des divers lieux d’exposition. L’avenue Winston Churchill devient piétonnière et s’orne d’oeuvres sur la chaussée. La Fiac en quête de palais L’art contemporain cherche sa légitimité dans les musées. La foire essaime chez ses prestigieux voisins et invite à la promenade…

LE FIGARO

Galerie Patrick Seguin London is pleased to present an exhibition devoted to the architecture of Jean Prouvé from October 4th to January 21st. This exhibition focuses on 12 different works of Jean Prouvé’s demountable architecture: the Bouqueval School (1949) adapted by Jean Nouvel, the Ferembal House (1948) adapted by Jean Nouvel, the Design Office from the Ateliers Jean Prouvé (1948), the 6×6 and 6×9 meter Houses (1944) intended as temporary housing after the war, the 6×6 House (1944) adapted by Rogers Stirk Harbour + Partners, the 8×8 House (1945), the “all wood” F 8×8 BCC (1942) created with Pierre Jeanneret, the Temporary School of Villejuif (1957), the House of Better Days (1956) designed for the anti-poverty crusader Abbé Pierre, the Métropole Aluminum House (1949) and the Total Filling Station (1969).

 

In collaboration with the New York-based gallery Karma, Galerie Patrick Seguin is pleased to present Olympia in its Parisian space from October 17th to November 26th, 2016. This exhibition is the latest in a series of annual shows at Galerie Patrick Seguin entitled Carte Blanche, for which international galleries are invited to organize exhibitions. The exhibition features works from 53 artists, including Rita Ackermann, Carol Bove, Joe Bradley, William Crawford, Jay DeFeo, Carroll Dunham, Mark Grotjahn, Martin Kippenberger, Lee Lozano, Pablo Picasso, Sigmar Polke, Ken Price, Richard Prince, and Tom of Finland, among many others.

 

On the occasion of the FIAC, Galerie Patrick Seguin is pleased to present the Jean Prouvé Bouqueval School in the Louvre and Tuileries National Estate from October 18th to 27th. After making temporary and demountable houses for war victims in Lorraine at the end of World War II, the Ateliers Jean Prouvé committed to the French government’s reconstruction program, involving not only housing, but also infrastructure, notably schools. Prouvé saw prefabrication as the optimal technical and economic solution to the postwar situation. He perfected a system he had patented in 1939 and then improved during the War, featuring a metal skeleton using axial portal frames, combined with various modular facade panels. This construction principle was Prouvé’s response to the Ministry of Education’s 1949 competition for “a mass-producible one-room rural school with teacher accommodations.” The specifications called for buildings that could be easily mass-produced with quick and easy assembly on any kind of site. The Ateliers Jean Prouvé was among the winners of the competition and in May 1950 was given an order for two prototype units: one for the small municipality of Bouqueval, near Paris, and the other requested by parliamentarian Raymond Mondon for the village of Vantoux, near Metz. Galerie Patrick Seguin asked Ateliers Jean Nouvel / HW Architecture to consult on the development and setting up of the Bouqueval School. This adaptation, designed in harmony with the existing materials, allows for full appreciation of Jean Prouvé’s structural system.

 

On the occasion of the first Architectural Video Festival, organized by the Maison de l’architecture en Île-de-France, the jury prize was awarded to Le Visiomatique for their creation of the video on the House of Better Days by Jean Prouvé, made for Galerie Patrick Seguin.